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ASCAP Daily Brief powered by The Dean's ListThis daily email, compiled by ASCAP Board member, music publisher and songwriter Dean Kay, cuts through the media clutter to bring you links to the most relevant news and commentary on the rapidly evolving music industry and how it affects your future livelihood. Now the ASCAP Daily Brief can be accessed on the
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Tech companies and criminals have made billions supporting the illegal exploitation of our cultural past while ruthlessly pursuing the dismantling of incentives creators need to fashion our cultural future
Pandora Is a $5-Billion CompanyBy Brad Hill -- Pandora is now valued at just over five-billion dollars in the public market for the first time, as it trades into all-time highs.
Netflix Gets a MakeoverBy Troy Wolverton -- When browsing for things to watch, subscribers will find more pictures, rewritten synopses and a new feature that tells users why they might like a particular title.
How To Be Creative On A Limited Video BudgetBy Kelley James -- I've pulled together a few easy steps every independent artist should take to not only amp up their content, but increase their digital footprint by connecting with the people who matter most - the fans.
DEAN KAYDean Kay has been at the helm of some of the most highly respected and forward thinking music publishing companies in the world, first as COO of the Welk Music Group, then as President/CEO of the US division of the PolyGram International Publishing Group, and now as President/CEO of his own precedent setting venture, Lichelle Music Company. Prior to his involvement in publishing, he was a successful songwriter, having had hundreds of his compositions recorded - including "That's Life" by Frank Sinatra. Mr. Kay has been a member of the Board of Directors of ASCAP since 1989 and is Chairman of its New Technologies Committee. He is also on the Board of the National Music Publishers Association (NMPA).
The ASCAP Daily Brief-Powered by The Dean's List is intended as a guide to direct music professionals to key articles about issues facing the entertainment industry. Recipients are encouraged to read further about the issues by accessing the complete article through the links provided. Author attribution is provided with each article, and none of the links allow readers to by-pass subscription archive gateways. Please note that all editorial comments are indicated in brackets. Questions? Comments? Please
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